"Strangers In The Room: A Journey Through The British Folk-Rock Scene 1967-73" by VARIOUS (March 2019 Grapefruit Records 3CD Clamshell Box Set) - A Review by Mark Barry...

This Review and 259 more like it are available 

In my e-Book "There's Something About 1970..."

Your All-Genres Guide To The Best CD Remasters 

(No Cut and Paste Crap - All Reviews from the Actual Discs) 

Featuring 7" Single and Album tracks from 1971 by 
Steeleye Span, Trees, Alan James Eastwood, The Woods Band, Unicorn, C.O.B. 
Dando Shaft, Daylight, Shirley Collins and The Albion Country Band, 
Jude and Gerry Rafferty 

"...Gathering Wild Roses..."

Grapefruit Records have been slowly winning the pickled hearts of collectors these last few years with a steady stream of these 3CD clamshell-type Box Sets - and I suspect they'll be avalanched with quite a few saucy Valentine Cards (even in late March) for this wee buxom beauty.

Sixty genre-bending Folk and Folk-Rock tracks from 1967 to 1973 across three CDs (four Previously Unreleased with many others not stated as being Alternate or Rare Versions) and a Billy Bunter sized 40-page booklet to scoff it all down with. It's off to the Tuck Shop my wassailing lads and lassies of England, Scotland, Wales, Ireland and any other shire we may drag our non-European musical ruin stones and shillelaghs through. Put your finger-in-the-ear people and hope for the best. Here goes...

UK released Friday, 29 March 2019 (5 April 2019 in the USA) - "Strangers In The Room: A Journey Through The British Folk-Rock Scene 1967-1973" by VARIOUS ARTISTS on Grapefruit CRSEGBOX054 (Barcode 5013929185401) is a 60-Track 3CD Clamshell Box Set of Remasters that plays out as follows:

Disc 1 "Raise Your Voice And Sing Sweetly" (79:15 minutes):

1. Stranger In The Room - MICHAEL CHAPMAN (from the March 1970 UK LP "Fully Qualified Survivor" on Harvest SHVL 764)

2. The Blacksmith - STEELEYE SPAN (from the March 1971 UK LP "Please To See The King" on B&C Records CAS 1029)

3. Dangerous Dave (Alternative Version) - SPIROGYRA (PREVIOUSLY UNRELEASED, Recorded February 1972) *

4. Murdoch - TREES (from the February 1971 UK LP "On The Shore" on CBS Records S 64168)

5. Sad Song For Winter - CHIMERA (Recorded November 1970 with a Wil Malone arrangement, not originally issued) +

6. Shoeshine Boy - THE HUMBLEBUMS (March 1970 UK 7" single on Big T Records BIG 130, A-side. Featured the comedian Billy Connolly and singer-songwriter Gerry Rafferty later with Stealer's Wheel and a solo career)

7. Martha - HARVEY ANDREWS (from the May 1972 UK LP "Writer Of Songs" on Cube Records HIFLY 10)

8. Hanging Tree - OO BANG JIGGLY JANG (November 1971 UK 7" single on President PT 356, A-side - featuring Peter Bramall and James Roper of The Motors)

9. She's Getting Married In August - ALAN JAMES EASTWOOD [of The Exception] (from the February 1971 UK LP "Seeds" on President PTLS 1037)

10. Amongst Anemones - JADE (from the July 1970 UK LP "Fly On Strangewings" on DJM Records DJLPS 407)

11. I Don't Know Why - KNOCKER JUNGLE (November 1970 UK 7" single on Ember EMBS 293, A-side. Were Tony Coup and Keith Jones of Mandragon)

12. The Sailor - ROBIN SCOTT (August 1969 UK 7" single on Head HDS 4003, A-side - members of Mighty Baby featuring as the backing band)

13. Here Comes The Rain - TRADER HORNE (February 1970 UK 7" single on Dawn DNS 1003, A-side. Featured Judy Dyble of Fairport Convention and Jackie McAuley of Them)

14. My Delicate Skin - DAVE CARTWRIGHT (May 1973 UK 7" single on Transatlantic BIG 510, A-side and the May 1973 UK LP "Back To The Garden")

15. Almost Liverpool 8 - MIKE HART (from the February 1970 UK LP "Mike Hart Bleeds" on Dandelion S 63756)

16. Candy Dora - RICHMOND (January 1973 UK 7" single on D'Art ART 2008, A-side - featuring Chas Seward and Steve Hall)

17. Don't Know Why You Bother Child - GARY FARR (from the December 1969 UK LP "Take Something With You" on Marmalade 608 013)

18. 1917 Revolution - BEAU (August 1969 UK 7" single on Dandelion 4403, A-side)

19. Jesus Was A Carpenter - THE JOHNSTONS (from the November 1969 UK LP "Bitter Green" on Transatlantic Records TRA 211 featuring Paul Brady and Paddy Maloney - Ewan MacColl song)

20. We Can Swing Together - ALAN HULL (December 1969 UK 7" single on Big T Records BIG 129, A-side - later lead singer and songwriter in Lindisfarne)

Disc 2 "Back To The Garden" (78:31 minutes):

1. Woodstock - MATTHEWS SOUTHERN COMFORT (original 8-Track mix but not finally issued version, recorded July 1970) +

2. The Man Who Called Himself Jesus - THE STRAWBS (not originally issued alternative mix, Recorded July 1968) +

3. As I Roved Out - THE WOODS BAND (from the December 1971 UK LP "The Woods Band" on Greenwich Records GSLP 1004 - featuring Gay and Terry Woods - Terry later with The Pogues, Gay with Auto Da Fe)

4. Sir Patrick Spens - FAIRPORT CONVENTION (not originally issued, recorded October 1969 during "Liege & Lief" sessions) +

5. Be Not So Fearful (Demo Version) - BILL FAY (not originally issued demo version, recorded early 1969) +

6. I Loved Her So Long - UNICORN (from the June 1971 UK LP "Uphill All The Way" on Transatlantic TRA 238)

7. Sarah In The Isle Of Wight - AL JONES (from the September 1969 UK LP "Alun Ashworth-Jones" on Parlophone PCS 7081 in Stereo)

8. Song For A Dead Mole - LEA NICHOLSON and STAN ELLISON (from the June 1972 UK LP "God Bless The Unemployed" on Transatlantic TRA 254)

9. There's A Place I Know - BRIDGET ST. JOHN (February 1972 UK 3-Track 7" single on Dandelion 2001, Track 1 of 2 on the B-side of "Fly Away")

10. People Smile With Ghosts In The Land Of Make-Believe - JEREMY HARMER (from the privately pressed 1968 UK LP "Idiosyncratics And Swallow's Wings" on JH Records JH 001 - features David Costa of Trees and Celia Humphris sister Sue) +

11. Pucka-Ri - URBAN CLEARWAY (not originally issued, recorded circa August 1972) +

12. Scranky Black Farmer - C.O.B. [Clive's Own Band - Clive Palmer of The Incredible String Band] (from the November 1971 UK LP "Spirit Of Love" on CBS Records 69010)

13. Lady Of St. Clare - DAYLIGHT (August 1971 UK 7" single on RCA Victor RCA 2106, A-side)

14. Love Has Gone - MARY-ANNE [Mary-Anne Patterson] (from the April 1970 UK LP "Me" on Joy Records JOYS 162)

15. Time Machine - MICK SOFTLEY (August 1970 UK 7" single on CBS Records S 5130, B-side of "Can You Hear Me Now" - features Mike Vickers of Manfred Mann on Keyboards)

16. Fleance - THIRD EAR BAND (from the March 1972 UK LP "Music From Macbeth" on Harvest Records SHSP 4019)

17. Morning Glow - STORYTELLER (from the May 1970 UK LP "Storyteller" on Transatlantic Records TRA 220)

18. Riverboat - DANDO SHAFT (from the May 1971 UK LP "Dando Shaft" on RCA/Neon NE 5)

19. What I Am - FRESH MAGGOTS (PREVIOUSLY UNRELEASED, recorded circa October 1970) *

20. Like A Rolling Stone - CANTICLE (November 1970 USA 7" single on Century Records 36685, A-side)

Disc 3 "Down Into The Moonlight World" (77:21 minutes):

1. Queen Of The Moonlight World - ANDY ROBERTS (from the March 1970 UK LP "Home Grown" on RCA Victor SF 8086 - ex Liverpool Scene, later with Everyone, also with Iain Matthews in Plainsong)

2. The Cuckoo - THE PENTANGLE (from the October 1969 UK LP "Basket Of Light" on Transatlantic TRA 205)

3. Little Woman (Single Version) - MR.FOX (November 1970 UK 7" single on Big T Records BIG 135, A-side - featuring Bob and Caroline Pegg - different mix from the LP, first appearance on CD since release) +

4. Father Forgive Them - RALPH McTELL (from the November 1970 UK LP "Ralph McTell Revisited" on Transatlantic TRA 227)

5. Just As The Tide Was A Flowing - SHIRLEY COLLINS and THE ALBION COUNTRY BAND (from the November 1971 UK LP "No Roses" on Pegasus PEG 7)

6. Oh Did I Love A Dream - THE INCREDIBLE STRING BAND (not originally issued, recorded circa mid-1972) +

7. Strange Days - PAPER BUBBLE (not originally issued, recorded October 1970) +

8. Dahlia - PAULK BRETT'S SAGE (March 1973 UK 7" single on Dawn Records DNS 1021, A-side – possibly withdrawn and never released) +

9. Your Lovely Ways (Part One) - MIKE COOPER (May 1970 UK 7" single on Dawn Records DNX 2501, A-side) +

10. River Of Fortune – HERON (not originally issued, recorded July 1970) +

11. Beverley Market Meeting – JUDE (not originally issued, recorded February 1971 – Judith Willie) +

12. All In A Dream - STEVE TILSTON (from the May 1972 UK LP "The Collection" on Transatlantic Records TRA 252)

13. Carry Me – PRELUDE (from the October 1973 UK LP "How Long Is Forever" on Dawn Records DNLS 3052 – Irene Hume on Lead Vocals)

14. City Girl - JOAN ARMATRADING (from the November 1972 UK LP "Whatever’s For Us" on Cube Records HIFLY 12)

15. Furniture – HORSLIPS (from the January 1973 Ireland and UK debut album "Happy To Meet, Sorry To Part" on Oats Records MOO 3)

16. Who Cares - GERRY RAFFERTY (PREVIOUSLY UNRELEASED, recorded mid 1971) *

17. Young Waters - JSD BAND (from the June 1973 UK LP "Travelling Days" on Cube Records HIFLY 14)

18. September - 9.30 FLY (from the June 1972 UK LP "9:30 Fly" on Ember NR 5062)

19. Waxing Of The Moon - LIFEBLUD (PREVIOUSLY UNRELEASED, recorded circa January 1970) *

20. Who Knows Where The Time Goes - SANDY DENNY (not originally issued, recorded July 1967) +

* PREVIOUSLY UNRELEASED

+ ALTERNATE or RARE VERSION

Put together by the uber-knowledgeable and Baby Driver with-it JOHN REED – his equally sexy co-compiler DAVID WELLS pours on the facts in the multitudinous 40-page booklet – each artist and song given a full appraisal usually sided by period photos, ticket stubs, flyers, trade adverts and those impossibly rare single and LPs pictured throughout. Take the Steve Tilston entry for his "All In A Dream" song on Disc 3. It advises that in late 1972 after the album's release in May, Steve did an interview with Zig Zag magazine ruminating on how fame and fortune might affect his songwriting. None other than John Lennon replied in writing (to his worries) and that was the basis for the rather insipid Al Pacino film vehicle "Danny Collins" – or that Prelude who had a huge hit with their truly gorgeous Acapella version of Neil Young's "After The Gold Rush" sang backing vocals on another huge Folk-ish hit - "Streets Of London" by Ralph McTell. I didn’t know either of those things and I dare say, neither did you. Each entry is full of great name-checks like that. Beautifully laid out and aimed at collectors and novices alike – when I think of the recent miserable 8-page inlay given to Fleetwood Mac and their supposed '50 Years – Don’t Stop' 3CD celebration, it really does show how independents light the way, when the majors seem content with what they can get away with.

Audio is by ALAN WILSON and with so many sources is a mixed bag of the astonishing vs. the muffled with most being way better than that. For sure the audio dips on each of the CDs when it comes to those fast and loose demos and alternate mixes, but the rest of it is impressively presented and in some cases (as I say) will blow your socks off for recordings that are mostly 50+ years old. To the garden of delights...

Across 60 tracks there are those fabulous discoveries - the debut Unicorn LP on Transatlantic Records where the chosen debut album song "I Loved Her So Long" is the link between Matthews Southern Comfort and Plainsong (much of their better material in the mid 70ts on Harvest Records had the same hooky gorgeous melodies) - the beautiful ethereal harmony vocals of Fairport Convention's Judy Dyble and Them's Jackie McAuley in their Trader Horne incarnation for "Here Comes The Rain" (see my separate review of that album reissued by Earth Records on CD). Some of it (as already mentioned) is unfortunately ropey Audio wise - the hissy Billy Fay demo and The Woods Band is disappointingly muddied but on the other hand Dave Cartwright's McGuinness Flint-sounding "My Delicate Skin", Michael Chapman's box-set title song "Stranger In A Room" (see my review for Light In The Attic's stunning reissue of his second album "Fully Qualified Survivor" and Storyteller's early Genesis-like "Morning Glow" all sound superlative - huge acoustic guitars, voices and clever string arrangements.

Only winners are the fabulous Folk-meets-Pastoral union in Dando Shaft's flute-and-acoustic shuffle "Riverboat" - the jolly acoustic jostle of my "Lady Of St. Clair" by the staggeringly collectable Daylight - and even if Jeremy Harmer's self-recorded "People Smile With Ghosts In The Land Of Make-Believe" gives us some 'ships in squalls that change to gurgling laughter' might be a hippy lyric too far - the 99-only copies LP contained David Costa from Trees with their singer Celia Humphris' sister Sue doing harmony vocals (just about as cultish and collectable as it can get). Paul Brady and Paddy Maloney newly attached to The Johnstons transform the Ewan MacColl song "Jesus Was A Carpenter" into a "Woodstock" beautiful moment while Mick Softley gets fully-fledged Audio quality on his impressive "Time Machine" where he sings 'who will they be in 5000 AD' - indeed – a star tripper maybe. Speaking of that famous Joni song, I love the 8-Track Tape Version of the Matthews Southern Comfort UK No. 1 - it's a version that unlike the single has the acoustic and pedal steel guitars much more to the fore. And although it doesn't say it anywhere in the box, I think it's the version that turned up on the "Three's A Charm" privately-pressed CD from Iain Matthews in 1999 for his fans – the mix that was remastered by Bradley Kopp in Boulder, Colorado and is featured in his forthcoming "Orphans And Outcasts" 4CD Box Set. Anyway – it's a keeper, much like this fabulously inventive little box set...

A companion piece to Grapefruit's much praised duo of threesomes - "Milk Of The Tree: An Anthology Of Female Vocal Folk & Singer-Songwriters 1966-73" from June 2017 (see review) and "Gathered From Coincidence: The British Folk-Pop Sound Of 1965-1966" from June 2018 (review to follow) – March 2019’s "Strangers In The Room: A Journey Through The British Folk-Rock Scene 1967-1973" is a deserved Amazon No 1 in the Folk-Rock genre section.

Cadburys Easter Eggs on every desk and big-time kudos to the compilers and everyone else involved...

"Torrid Zone: The Vertigo Recordings 1970-1975" by NUCLEUS and IAN CARR (29 March 2019 UK Esoteric Recordings 6CD Clamshell Box - Paschal Byrne Remasters) - A Review by Mark Barry...

This Review and 100s of Others Available in my e-Book:

"...Labyrinth..."

Including the 1971 Albums "We'll Talk About It Later" and "Solar Plexus" on Vertigo 

Scottish Trumpeter IAN CARR (raised in Newcastle) has deserved this kind of lavish clamshell-dom for some time now. But fans will quickly clock that nine album front covers onto six card sleeves does not artwork go. I say this because on opening this still brilliant Esoteric Recordings mini box set (which the spirit of textured gatefold LP sleeves within me has been looking forward to for some time) - I have to confess to being slightly crest-fallen. Five of the single CD card sleeves reflect the original and cool Roger Dean and Keith Davis artwork for sure (disc three has the October 1972 Ian Car solo album "Belladonna") – but my fave die-cut for their brilliant debut "Elastic Rock" had to be replaced with a period image instead. Boo hoo...

But not to fear my elasticated rocking alley cats – this Jazz Rock Prog-tastic monster hasn’t missed anything else that I can see - all of the original artwork inside and out is repro’d faithfully in the substantially chunky booklet, alongside a whole lot more from magazine and personal archives, most of it seeing the 2019 light of day for the first time in nearly five decades.

But for me, best news is the new Audio - fabulous Paschal Byrne Remasters taken from original Vertigo Records mastertapes, which for my money is one of 'the' reasons for fan purchase. Sweet as a zone that’s torrid (as they say in pre Brexit Brussels). There's a veritable magma flow of solar plexus blowhard horns and synths to wade through, so once more my swirl label devotees unto the die-cut breach...

UK released Friday, 29 March 2019 (5 April 2019 in the USA) - "Torrid Zone: The Vertigo Recordings 1970-1975" by NUCLEUS & IAN CARR on Esoteric Recordings ECLEC 62663 (Barcode 5013929476301) is a 6CD Clamshell Box Set offering 9 albums in full (no other bonuses) and plays out as follows:

Disc 1 (64:42 minutes):

1. 1916 [Side 1]

2. Elastic Rock

3. Striation

4. Taranki

5. Twisted Track

6. Crude Blues (Part One)

7. Crude Blues (Part Two)

8. 1916 - The Battle Of Boogaloo

9. Torrid Zone [Side 2]

10. Stonescape

11. Earth Mother

12. Speaking For Myself, Personally, In My Own Opinion, I Think...

13. Persephones Jive

Tracks 1 to 13 are their debut album "Elastic Rock" [as NUCLEUS] - released June 1970 in the UK on Vertigo 6360 008 (no US issue) - Produced by PETE KING. 

14. Song For The Bearded Lady [Side 1]

15. Sun Child

16. Lullaby For A Lonely Child

17. We'll Talk About It Later

Tracks 14 to 17 are Side 1 of their second album "We'll Talk About It Later" [as NUCLEUS] - released February 1971 in the UK on Vertigo 6360 027 (no US issue) - Produced by PETE KING.

Disc 2 (67:27 minutes):

1. Oasis [Side 2]

2. Ballad Of Joe Pimp

3. Easter 1916

Tracks 1 to 3 are Side 2 of their second album "We'll Talk About It Later" [as NUCLEUS] - released February 1971 in the UK on Vertigo 6360 027 (no US issue) - Produced by PETE KING.

4. Elements I & II [Side 1]

5. Changing Times

6. Bedrock Deadlock

7. Spirit Level

8. Torso [Side 2]

9. Snakehips Dream

Tracks 4 to 9 are their third studio album "Solar Plexus" [as IAN CARR with NUCLEUS] - released June 1971 in the UK on Vertigo 6360 039 (no US issue) - Produced by PETE KING.

IAN CARR - Trumpet and Flugelhorn

BRIAN SMITH - Tenor and Soprano Saxophone and Flute

KARL JENKINS - Baritone Saxophone, Oboe, Piano and Electric Pianos

CHRIS SPEDDING - Guitar

JEFF CLYNE - Bass Guitars

JOHN MARSHALL - Drums and Percussion 

Above line-up for the first two LPs, but for "Solar Plexus", these additional:

Kenny Wheeler and Harry Beckett on Trumpets (Tracks 4, 5, 8 and 9)

Tony Roberts – Tenor Saxophone, Bass and Clarinet

Ron Matthewson – Bass

Keith Winter – VCS3 Synthesiser

Disc 3 (65:56 minutes):

1. Belladonna [Side 1]

2. Summer Rain

3. Remadione [Side 2]

4. May Day

5. Suspension

6. Hector's House

Tracks 1 to 6 are the album "Belladonna" [by IAN CARR] – released October 1972 in the UK on Vertigo 6360 076 (no US issue) – Produced by JON HISEMAN of Colosseum

IAN CARR - Trumpet and Flugelhorn

BRIAN SMITH - Tenor and Soprano Saxophone, Alto and Bamboo Flute

DAVE MacRAE – Fender Electric Piano

ALAN HOLDSWORTH – Guitar

ROY BABBINGTON – Bass Guitar

CHRIS THACKER - Drums

7. Origins [Side 1]

8. Bull Dance

9. Ariadne

10. Arena

Tracks 7 to 10 are Side 1 of the album "Labyrinth" [by IAN CARR with NUCLEUS] – released July 1973 in the UK on Vertigo 6360 091 (no US issue) – Produced by IAN CARR and ROGER WAKE

Disc 4 (73:59 minutes):

1. Arena/Exultation [Side 2]

2. Naxos

Tracks 1 to 2 are Side 2 of the album "Labyrinth" [by IAN CARR with NUCLEUS] – released July 1973 in the UK on Vertigo 6360 091 (no US issue) – Produced by IAN CARR and ROGER WAKE

IAN CARR - Trumpet and Flugelhorn

BRIAN SMITH - Tenor and Soprano Saxophone, Flute

DAVE MacRAE – Fender Electric Piano

ALAN HOLDSWORTH – Guitar

ROY BABBINGTON – Bass Guitar

CHRIS THACKER – Drums

Plus Guests:

Kenny Wheeler – Trumpets and Flugelhorn

Norma Winstone – Vocals

Paddy Kingsland – VCS3 Synthesiser

Trevor Tomkins – Percussion

Tony Levin – Drums

3. Roots [Side 1]

4. Images

5. Caliban

6. Whapatiti [Side 2]

7. Capricorn

8. Odokamona

9. Southern Roots And Celebration

Tracks 3 to 19 are the album "Roots" [by IAN CARR’S NUCLEUS] – released November 1973 in the UK on Vertigo 6360 100 (no US issue) – Produced by FRITZ FRYER

IAN CARR – Trumpet

BRIAN SMITH – Tenor and Soprano Saxophone, Flute and Bamboo Flute

DAVID MacRAE – Electric and Acoustic Piano

JOCELYN PITCHEN – Guitars

ROGER SUTTON – Bass

CLIVE THACKER – Drums (Percussion on "Images")

AUREO de SOUZA – Percussion (Drums on "Images")

JOY YATES - Vocals

10. In Procession [Side 1]

11. The Addison Trip

12. Pastoral Graffiti

13. New Life

14. A Taste Of Sarsaparilla

Tracks 10 to 14 are Side 1 of the album "Under The Sun" [by NUCLEUS] – released October 1974 in the UK on Vertigo 6360 110 (no US issue) - Produced by FRITZ FRYER.

Disc 5 (67:24 minutes):

1. Theme 1 - Sarsaparilla

2. Theme 2 - Feast Alfresco

3. Theme 3 - Rites Of Man

Tracks 1 to 3 are Side 2 of the album "Under The Sun" [by NUCLEUS] – released October 1974 in the UK on Vertigo 6360 110 (no US issue) - Produced by FRITZ FRYER.

IAN CARR – Trumpet and Flugelhorn

BOB BERTIES – Alto and Baritone Saxophone, Bass Clarinet and Flute

GORDON BECK – Electric Piano and Percussion (Solo on "Sarsaparilla")

GEOFF CASTLE – Electric Piano and VCS3 Synthesiser (Piano on "A Taste Of Sarsaparilla")

JOCELYN PITCHEN – Guitars (Solo on "New Life")

KEN SHAW – Guitars (Ring Modulated Piano on "In Procession")

ROGER SUTTON – Bass

BRYAN SPRING – Drums, Tympani and Percussion

Guests:

Keiran White (of Steamhammer) sings Vocals on "The Addison Trip"

4. Rat's Bag [Side 1]

5. Alive And Kicking

6. Rachel's Tune

7. Snakehips Etcetera [Side 2]

8. Pussyfoot

9. Heyday

Tracks 4 to 9 are the album "Snakehips Etcetera" [by NUCLEUS] – released April 1975 in the UK on Vertigo 6360 119 and Sire SASD-7508 in the USA (first album by Nucleus issued in America) - Produced by JON HISEMAN of Colosseum.

Disc 6 (41:22 minutes):

1. Phaideaux Corner [Side 1]

2. Alleycat

3. Splat [Side 2]

4. You Can't Be Sure

5. Nosegay

Tracks 1 to 5 are the album "Alleycat" [by NUCLEUS] – released November 1975 in the UK on Vertigo 6360 124 (no US issue) - Produced by JON HISEMAN of Colosseum.

Line-Up for both "Snakehips Etcetera" and "Alleycat"

IAN CARR – Trumpet, Flugelhorn, Acoustic Piano, Moog, Percussion

BOB BERTIES – Alto, Baritone and Soprano Saxophones, Flute, Voice

KEN SHAW – Guitars and Percussion

GEOFF CASTLE – Keyboards, Moog, Percussion

ROGER SUTTON – Bass

ROGER SELLERS – Drums and Percussion

Guest:

Trevor Tomkins – Percussion on "Phaideaux Corner" and "Alleycat" on the "Alleycat" album

Compiled and co-ordinated by MARK POWELL with full involvement from those still around the band, the 48-page booklet is an impressive affair and very proudly flaunts the boxes of original Vertigo master tapes across its many picture-festooned pages (along with all of that dinky Roger Dean artwork). Noted writer SID SMITH (who did the liner notes for the impressive Panegyric 'Definitive Edition' CD and BLU RAY reissues of YES) digs in deep for a history across nine studio albums beginning with Carr’s career as part of the Don Rendell Quartet (1965 to 1969) on to Best Group awards at The Montreaux Jazz Festival and celebrated dates in the USA. There are promo pages from Phonogram (who distributed Vertigo), a concert poster for the Queen Elizabeth Hall where a program would set you back a frankly extortionate 10p (ten new pence to you mate) and so on. To the music...

I suspect the last time anyone had these albums on CD in their mits was the 2005 Repertoire reissues – here the Audio is not so in-your-face – warmer and fuller. Spedding trades his guitar licks with the horns of Ian Carr and Karl Jenkins on "Taranaki" – a Karl Jenkins mellow instrumental on Side 1 of "Elastic Rock" and two things are apparent – the band has been listening to Miles Davis and his 1969 Columbia/CBS Records output for a entire year and that the Remaster is fantastic. Sure the separation of instruments is a tad harsh but man are they reproduced well in this transfer. Again the Chris Spedding intro to "Earth Mother" over on Side 2 accompanied by some heavy Oboe soloing is clear and present – Jeff Clyne on Bass. Another moment of remaster clarity comes with the drums, guitar and brass unison opening of "Crude Blues (Part Two)" – a short but very cool opening to Side 2 of the album. Many fans rate "Elastic Rock" as a brilliant account-opener and they’d be right – apart from the one and half-minute drum nonsense of "Speaking For Myself..." – there is hardly a wasted moment.

Issued in February 1971, the proper full-on Jazz-Prog-Rock of "Song For The Bearded Lady" from their second album "We'll Talk About It Later" was chosen as the representative track for the "Time Machine" 3CD Box Set covering Vertigo Records in 2005 ("Torrid Zone" from the 1970 debut album is in there too). And frankly it’s easy to hear why – a neck-jerking seven and a half-minute instrumental workout with clever musical breaks and a hat-tip to King Crimson over on Island Records. Spedding gets to wah-wah his gee-tar on the Clyne/Marshall jabber "Sun Child" behind Carr and Jenkins letting it rip. Miles Davis pretty surfaces in the guise of "Lullaby For A Lonely Child", but the echoed vocals of "Easter 1916" Zappa-fy the album finisher too much for me (and not in a good way).

By the time we reach album three, Ian Carr has taken over composition of all tracks. Guests Kenny Wheeler on Flugelhorn and Tony Roberts on Tenor Sax act as the soloists on "Changing Times" – Nucleus getting Funky. Karl Jenkins does the Oboe solo on the sad Tudor soundscape of "Bedrock Deadlock" with Jeff Clyne drawing his bow across large Double Bass strings before the six and half-minute track takes a sudden and unexpected Funky direction change with a treated guitar from Spedding (very clever and sounding spiffing on this transfer). Confirming its rep as a quality Nucleus outing, the album ends on an epic 15-minute slink – "Snakehips’ Dream" – a tribute to a lady dancer Carr once knew called "Snakehips" Johnson. It’s the first time for me that the keyboards/guitar battles get pride of place – and it so works (best track they ever did methinks).

The inevitable Ian Carr solo album arrived in October 1972 in the shape of "Belladonna" – again its six lengthy instrumentals steeped in the smooze of IC’s acknowledged hero – Miles Davis. The transfer on the lovely and nay even sexy "Summer Rain" is so sweet – with newcomer Dave MacRae bringing his keyboard chops to the party. Jon Hiseman’s production certainly amps up the Alan Holdsworth Guitar and Brian Smith Brass blasts on "Hector's Party" – a song that sounds exactly like its hep title.

A muscular loincloth-clad gladiator brute-type manhandles a Minotaur on the front cover of "Labyrinth" – Nucleus commissioned by the Park Lane Group (with Arts Council funding) to create music based on the antiquities myth (Athens vs. Crete etc). They augmented the band with so many musicians that they literally get a credits ‘Plus’ on the front sleeve – amongst the names being Norma Winstone on Vocals with ace sessionman Tony Levin on Drums (years later he would become the defacto kit-man for Peter Gabriel’s touring band). It opens with the suitably ominous danger inherent in the stabby "Origins" only to go all Bullet bass lines chase sequence on the sexy "Bull Dance". Shimmering Greenslade-type electric piano notes open seven minutes of the excellent "Ariadne" with Norma Waterstone’s high-flying vocals singing of seekers and their detractors - while over on Side 2 the two lengthy workouts "Exultation" and "Naxos" bring the ancient tale into serious Prog-Fusion mode.

Highlights from albums five to nine include the first-time-on-CD appearance of the much-sampled "Roots" LP from November 1973 – resplendent here on CD 4 with its fab Keith Davis designed sleeve. Super cool slow-Drums and Brass-jabbing Grooves give the title track the feel of a Seventies Cop TV show where some Superslick Detective falls in love with a babe from the driver’s seat of his cigarettes ‘n’ coffee filthy car (fantastic remaster too). The cool continues with "Images" where Joy Yates Jazz-moans her words as the British lads smooze the backbeat. "Caliban" sees Nucleus once again embrace their inner Billy Cobham by way of Donald Byrd – funky and sounding like a dead ringer for the sequel "Baby Driver 2: Behind The Wheel Again". Keiran White of Steamhammer moans scat vocals on the hipster Jazz-Funk of "The Addison Trip" while Roger Sutton lets rip on a Bass solo.

The "Under The Sun" album is probably the most Jazz of the lot while I’ve always been partial to the Jon Hiseman produced "Snakehips Etcetera" LP with its garish glossy laminate sleeve (fave tracks "Alive And Kicking" and "Pussyfoot"). And on it goes...

For sure listening to nine albums worth of Jazz Rock, Prog Fusion and even Jeff Beck like funkiness may prove too much for the uninitiated – but I’ve loved this vaults trawl. And how good is it to see the missing digital hole of "Roots" finally be filled and in such Audio style too.

As Sid Smith quite rightly points out in his typically excellent liner notes, bands like Chick Corea’s Return To Forever and John McLaughlin’s Mahavishnu Orchestra probably sold more album on Columbia/CBS in a month than poor Ian Carr did across six years in Blighty - even when Prog Rock and Fusion were literally flavour of the year in 1973 and 1974 – regularly nabbing the No. 1 spot on the LP charts for ELP, Yes, Jethro Tull and Top 5 for Genesis.

But spare a moment for the nine-LP Spice Girls of Jazz-Rock – NUCLEUS. They may have only charted their debut album for one miserly week in 1970 (at No. 46) - but their consistent (yet commercially ignored) brilliance is reflected in this jam-packed box. Man, I could even forgive Ian Carr’s seriously garish Tartan trousers on Page 41 of the booklet as he giggles at the advances of a scantily clad lady in hots pants threatening to do things to his improvisational ass with a Bottle of Stout that may have worried those nice people over at the BBC. Them were the days baby. Recommended and well-done to all involved...

"In A Wild Sanctuary/Gandharva/All Good Men" by BEAVER & KRAUSE (March 2019 Righteous Reissue - 3LPs onto 2CDs - Alan Wilson Remasters) - A Review by Mark Barry...

This Review and 100s of Others Available in my e-Book:

"...Spaced..."

Including the 1971 Album "Gandharva" on Warner Brothers Records

There aren't many bands or artists who 'don't' make the Record Collector Rare Records Price Guide when they issued albums as far back as 1970, 1971 and 1972 - but the eccentric and frankly noodlesome output of PAUL BEAVER and BERNARD KRAUSE are among that select few.

When I worked as a Rock and Rarities Vinyl Buyer at Reckless Records (a stretch of 20 years penal servitude) - Beaver & Krause albums were like Bach on a Moog or Sitar for your Grannies Bunions - curios that sold for a few quid, usually bought by hipster DJs looking for samples, quirky bits of noise they could use in between spins on the Technics 1200s. And in some respect, not a lot has changed for this dynamic duo of alternate soundscapes.

What you're getting here is three full albums the keyboard bending boys did for Warner Brothers in the early Seventies (they did their first in 1968 "The Nonesuch Guide To Electronic Music" and a second on Limelight Records in 1969 called "Ragnorök (Electronic Funk)") – the third having slowly moved away from Ambient Electronics to embrace proper songs (even if they are a bit weepy and let the side down somewhat). Short on playing time but impactful nonetheless, the first and third of these forgotten albums were only released in the USA ("In A Wild Sanctuary" in 1970 and "All Good Men" in 1972) - whilst the more commercially accessible "Gandharva" LP saw both America and Blighty outings and remains the one album most British Rock heads have ever seen by them.

Insider support was impressive too. The first two albums drew in some world class players prepared to bolster up experimental outings - Bud Shank on Flute and Saxophone, Dave Grusin on Keyboards, Gerry Mulligan on Saxophone with Milt Holland on all manner of Percussion. The Electronic Rock of the "Gandharva" album even has the guitar work of Mike Bloomfield and Ronnie Montrose on it with genuine Soulful bonuses being supplied by that trio of classy backing vocalists - Vanetta Fields, Clydie King and Patrice Holloway – Clydie lending "Walkin'" an almost ethereal Rotary Connection feel before the three launch into a full-on see-me-in-church Gospel romp on the very next song (and that's a Nirvana for me I can tell you). Ace Conductor Jimmie Haskell arranged the third platter where the duo did most of the playing – tackling Scott Joplin amongst other things - all forgotten now in a sea of existential bum fluff.

But (and as they say in a Donald Trump shower situation, here comes the big but) - there's much to be getting on with here - goodies due reappraisal - music that is actually moving and even beautiful at times - tunes that have passed many discerning ears by. Beaver & Krause even championed environmental and ecological issues in 1970 on their big label debut "In A Wild Sanctuary" with the full permission of Warner Bros executives - back in the days when hopeful men ran the music business and not disinterested suits. I mean how can you not love a band that has song titles like "Aurora Hominis" and "Walking Green Algae Blues". For sure the third platter lets the side down somewhat...

Anyways, some reissue crowd called 'Righteous' seem determined that we pay attention with this 2019 digital twofer and start yanking on those bare wires again. So as the plugged-in boys said in their original liner notes - let's get to our 'environmental expressions recorded with Moog synthesiser' (I will if you will baby)...

UK released Friday, 29 March 2019 (5 April 2019 in the USA) - "In A Wild Sanctuary/Gandharva/All Good Men" by BEAVER and KRAUSE on Righteous PSALM23:93D (Barcode 5013929989320) offers 3 albums from 1970, 1971 and 1972 (originally on Warner Brother Records) Remastered onto 2CDs and plays out as follows:

Disc 1 (46:30 minutes):

1. Another Part Of Time [Side 1]

2. And There Was Morning

3. Spaced

4. So Long As The Waters Flow

5. Aurora Hominis [Side 2]

6. Salute To The Vanishing Bald Eagle

7. People's Park

8. Walking Green Algae Blues

9. Sanctuary

Tracks 1 to 9 are their third studio album "In A Wild Sanctuary" - released June 1970 in the USA on Warner Brothers WS 1850 (no UK release).

10. Soft White [Side 1]

11. Saga Of The Blue Beaver

12. Nine Moons In Alaska

13. Walkin'

14. Walkin' By The River

Tracks 10 to 14 are Side 1 of their fourth studio album "Gandharva" - released May 1971 in the USA on Warner Brothers WS 1909 and in the UK on Warner Brothers K 46130.

Disc 2 (55:49 minutes):

1.  Gandharva [Side 2]

2. By Your Grace

3. Good Places

4. Short Film For David

5. Bright Shadows

Tracks 1 to 5 are Side 2 of their fourth studio album "Gandharva" - released May 1971 in the USA on Warner Brothers WS 1909 and in the UK on Warner Brothers K 46130.

6. A Real Slow Drag [Side 1]

7. Legend Days Are Over

8. Love Of Col. Evol

9. Sweet William

10. Bluebird Canyon Stomp

11. Looking Back Now

12. Prelude

13. Child Of The Morning Sun

14. Between The Sun And The Rain

15. All Good Men

16. Waltz Me Around Again Willie/Real Slow Drag

Tracks 6 to 16 are their fifth and final studio album "All Good Men" - released September 1972 in the USA on Warner Brothers BS 2624 (no UK release).

The liner notes by DAVE HENDERSON are witty and suitably eclectic (given the two involved) – but there is precious little by way of actual album credits (the guest musicians I’ve mentioned above) and he barely touches the actual music. For instance the third LP has songwriter Adrienne Anderson giving it some ‘love you’ soulful vocals on Side 1’s "Sweet William" and US Folky Cris Williamson getting all Jimmy Webb on "Looking Back Now" – ballads that are more Dionne Warwick than Karlheinz Stockhausen. There’s an Native Indian voice attributed to Elizabeth Watson in the LP credits on the repeated spoken lyrics in "Legend Days Are Over" – but again no background as to who or why – when it would have been cool to know after all these decades.

ALAN WILSON has done the mastering - the 8-page booklet peppered with snaps of those WB master tapes. "Gandharva" was done digitally in 1994 with Lee Herschberg on the Warner Archives Series while two ok Collector’s Choice CDs came out in 2006 for "In A Wild Sanctuary" and "All Good Men" and I suspect that all three of these have been used (licensed from WEA). The audio is good – at times great – but at other times just a tad low and wanting. Overall I’d say four out of five stars. To the sounds...

Patters of a Tabla Drum are quickly joined by cool synth notes and a hip organ melody on "Another Part Of Time" – the first LP’s opener. It’s a tune that acts like its Ramsey Lewis on Cadet Records in 1968 instead of 1970. The instrumental "And There Was Morning" has huge dawn-of-man notes and apes an ELP moment. The quiet "Spaced" has surprisingly little hiss as the synth notes trickle like water dripping on a sidewalk – while "So Long As The Water Flows" forgoes dribbles in space and gives us the full storm – crashes and bangs and static sounding like lashing rain – synth notes rising above- all majestic for five minutes. There is even an "Obscured By Clouds" Pink Floyd feel to "Salute To The Vanishing Bald Eagle" – the whole flowery album plea ending with one and half minutes of the peaceful "Sanctuary".

While the first LP is undoubtedly interesting, things pick up steam considerably with "Gandharva". The Bluesy Guitar picking of Mike Bloomfield follows a huge synth swish at the beginning of "Saga Of The Blue Beaver" – an instrumental that thereafter chugs along in a Funky fashion to a point where you feel you’ve stumbled on a Shuggie Otis LP over on Epic Records. That’s followed by a droning synth instrumental called "Nine Moons In Alaska" that sounds not unlike "Electro Lux Imbroglio" on Steve Miller’s "Book Of Dreams" album in 1977. But this is only a prelude to my fave – Clydie King scatting echoed vocals on the fabulous "Walkin'" – a trippy Soulful moment that acts as a lead in to the full-on Gospel of "Walkin' By The River". Perhaps even better is Gerry Mulligan playing on his own "By Your Grace" over on Side 2 followed strongly by another pretty floating Sax moment in "Good Places".

Minus the big names and with almost every instrument played by the duo only – unfortunately the third album is a very mixed bag (worst of the three) coming across at times like some bad Paul Williams schlock and not the wired experimentalism of the groovy first and second platters. Beaver unwisely sings with his twee voice of a child running in meadows and the sun shining and la-la-laing his way through saccharine flutes. The intro synth drone of "Between The Sun And The Rain" quickly gives way to bopping Salsa rhythms that is frankly way too close to some bad lounge band taking the Michael. The Scott Joplin covers just feel out of place too. There are other better moments on "All Good Men", but they’re not the Side 2 Flute and Sax instrumentals of "Gandharva'".

So musically it’s a bit of mishmash then, the first two offering genuinely surprising moments of grandeur and vibe whilst number three loses its way without those big name helps.

Still, a timely reminder and a cool little reissue into the Moogy bargain...