Showing posts with label Guy Massey Remasters. Show all posts
Showing posts with label Guy Massey Remasters. Show all posts

Monday, 3 April 2017

"Straight Up" by BADFINGER [feat Todd Rundgren and George Harrison] (October 2010 Apple 'Expanded Edition' CD – Guy Massey, Steve Rookes, Sam Okell and Simon Gibson Remasters) - A Review by Mark Barry...




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"...A Game We've Been Playing For So Long..."

Monday 25 October 2010 in the UK saw 14 of the 'Apple' label Sixties and Seventies albums remastered and reissued (see list below) - alongside a first-time-ever label 'Best Of' compilation CD not surprisingly called "Come And Get It" (named after a huge BADFINGER hit penned by Paul McCartney specifically for the band). This zippy little expanded CD reissue of their 3rd album "Straight Up" is one of them.

UK released October 2010 - "Straight Up" by BADFINGER on Apple 5099964244020 (Barcode is the same) is an 'Expanded Edition' CD Remaster with Six Bonus Tracks that breaks down as follows (61:50 minutes):

1. Take It All
2. Baby Blue
3. Money
4. Flying
5. I'd Die Babe
6. Name Of The Game
7. Suitcase
8. Sweet Tuesday Morning
9. Day After Day
10. Sometimes
11. Perfection
12. It's Over
Tracks 1 to 12 are the Stereo LP "Straight Up" released late December 1971 in the USA on Apple SW-3387 and 4 February 1972 on Apple SAPCOR 19 in the UK (it reached number 31 on the American Billboard Top 100).

BONUS TRACKS:
Tracks 13 to 18 are bonus tracks exclusive to this 2010 CD reissue:
13. "I'll Be The One" is a band composition that was once muted as a possible UK Apple single (no number allocated), but never released
14. "Name Of The Game" (a Pete Ham song) was also considered for a single (Apple 35), but again never issued
15. "Baby Blue" (a Pete Ham song) was also considered for a UK single (Apple 42), but again withdrawn. It was, however, released in the USA on Apple 1844 in April 1972 and rose to number 14 on the Billboard charts. With added reverb on the drums, it's presented here as the `US Single Mix' - its B-side is the album track "Flying"
16. "Baby Please" (Pete Ham/Joey Molland/Mike Gibbins song) is previously unreleased
17. "No Good At All" (Tom Evans song) is previously unreleased
18. "Sing For The Song" (Tom Evans song) is previously unreleased

Requiring extra payment, there are also 7 more tracks available via Digital Download from iTunes or Amazon - "Money (Earlier Version)", "Flying (Earlier Version)", "Perfection (Earlier Version)", "Suitcase (Earlier Version)", "Sweet Tuesday Morning (Earlier Version)", "Mean Mean Jemima" and "Loving You"  (see either site for cost details).

BOOKLET/PACKAGING:
The front & rear of the original vinyl LP sleeve is reproduced on the gatefold card sleeve, while noted writer and music lover ANDY DAVIS does the new liner notes for the booklet (they're all a disappointingly weedy 12 pages long - EMI pushes the boat out again people). But with what little text he has been afforded, Davis does at least fill it with properly informative details - and there are black & white studio shots of the band - PETE HAM, TOM EVANS, JOEY MOLLAND and MIKE GIBBINS.  It's cute, but you do wish there was more...

PLAYERS/CONTENT:
Studio wizard TODD RUNDGEN famously produced the album except for "I'd Die, Babe", "Name Of The Game" and "Suitcase" - these had GEORGE HARRISON at the controls (he also played Guitar on "I'd Die, Babe"). The `bonus tracks' were produced by GEOFF EMERICK of Beatles/Abbey Road fame - except for "Baby Blue (US Single Mix)" which was Rundgren.

SOUND:
The same team that handled the much-praised 09/09/09 Beatles remasters has done this too - GUY MASSEY, STEVE ROOKES, SAM OKELL and SIMON GIBSON. The audio quality is BEAUTIFUL - a massive improvement - makes you reassess a lot of the songs.

Their 2nd album "No Dice" from 1970 is a gem, but Badfinger surpassed even that with "Straight Up" - leagues ahead of their patchy 1969 debut both in terms of songwriting quality and sheer polish. This is immediately evident on the two Pete Ham openers - "Take It All" and "Baby Blue" - the Todd Rundgren production values on the guitars and drums now so clear. "Money" with its "buys you freedom" lyrics has great chunky guitars and harmony vocals, while "Flying," sounds not unlike 10cc circa "The Original Soundtrack". The liner notes tell us that Beatle George was literally dancing in the studio during the recording of "I'd Die, Babe" - it's easy to hear why - it's a catchy little ditty and similar to own songwriting style.

Joey Molland's keyboard funk of "Suitcase" opened Side 2 of the original album and talks of the weariness of being on the road forever without too much success (lyrics above). The lovely America-type acoustic tune "Sweet Tuesday Morning" follows - it was the B-side to the only single issued off the album in the UK ("Day After Day" - 7 January 1972 on APPLE 42). But then you're hit with a triple-whammy of Badfinger songwriting excellence - "Day After Day", "Sometimes" and "Perfection". All three offer up different facets of the band's capabilities - the lovely "Day After Day" is essentially a mid-tempo ballad from Pete Ham and that it wasn't a huge UK chart hit is sort of inexplicable, "Sometimes" is a Joey Molland rocking gem that sounds like The James Gang on a roll, while the thinking man's strum of "Perfection" comes closest to that Big Star comparison of out-and-out genius. As if that isn't enough, you get superb guitar playing on the Tom Evans album finisher "It's Over" - it's all so shockingly good, it really is. And like almost all of the releases in this series, the bonus tracks are impressive too rather than being superfluous. Very, very good indeed...

Niggles - in order to give a fuller review, I paid for the extra 7 download alternate versions - and typically their quality is superb - must haves. I burned them onto a CD-R and they clocked in at 23:59 minutes - when you add that onto 61:50, you see that they could all have easily fitted onto 1CD. I've Bear Family titles that regularly push past 85 minutes with no deterioration in sound, so it's a crappy scam to have us fork out seven more pounds for versions EMI know fans will want - and badly. The gatefold card sleeve is nice to look at for sure, but the booklet and overall packaging feel lightweight (what EMI could get away with). The CD should also have one of those gauze inner bags to protect it - a problem that no record company seems to want to acknowledge (scuffing and damage). The packaging issues are minor points I know, but this otherwise brilliant reissue is docked a star for creaming fans on the download front.

One Star or Five - Badfinger have always divided people - many calling them one of the great overlooked bands of the period - others calling them lightweight (most of the first album and bits of the second). You will not call them the latter after hearing "Straight Up" - it's a crafted gem.

To sum up - recommended - especially given the brilliance of the album itself, the massive improvement in sound quality and those shockingly good bonus tracks. Shame about those downloads though...

The October 2011 Apple CD Remasters are (I've reviewed most):
1. Magic Christian Music - BADFINGER (January 1970)
2. No Dice - BADFINGER (November 1970)
3. Straight Up - BADFINGER (1972)
4. Ass - BADFINGER (1974)
5. Postcard - MARY HOPKIN (1969)
6. Earth Song - Ocean Song - MARY HOPKIN (1971)
7. Is That What You Want? - JACKIE LOMAX (1969)
8. Under The Jasmine Tree / Space - THE MODERN JAZZ QUARTET (1968 and 1969 - 2LPs on 1CD)
9. That's The Way God Planned It - BILLY PRESTON (1969)
10. Encouraging Words - BILLY PRESTON (1970)
11. The Radha Krishna Temple - THE RADHA KRISHNA TEMPLE (1971)
12. The Whale / Celtic Requiem - JOHN TAVENOR (1970 and 1971 - 2LPs on 1CD)
13. James Taylor - JAMES TAYLOR (1968)
14. Doris Troy - DORIS TROY (1970)

Thursday, 16 March 2017

"Ram: Special Edition - Paul McCartney Archive Collection" by PAUL and LINDA McCARTNEY (2012 MPL Communications/Hear Music/Concord Music Group 2CD Remasters) - A Review by Mark Barry...





This Review Along With 240 Others Is Available In My
SOUNDS GOOD E-Book on all Amazon sites
THERE'S SOMETHING ABOUT 1971... - Exceptional CD Remasters  
Over 1530 E-Pages 
Just Click Below To Purchase for £3.95
Thousands of E-Pages - All Details and In-Depth Reviews From Discs 
(No Cut and Paste Crap)


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"...Hands Across The Water..." 

Part of the on-going 'Paul McCartney Archive Collection' of CD Reissues - 1971's "Ram" was always going to be a tug on the old purse strings for Macca fans. And while I can't and won't buy any of the extortionate 'Super Deluxe' sets - I can live with this 2CD 'Deluxe Edition' because it gives me all I need. Here are the sheepish details...

UK released 21 May 2012 - "Ram: Special Edition - Paul McCartney Archive Collection" by PAUL and LINDA McCARTNEY on MPL Communications/Hear Music/Concord Music Group 888072334496 (Barcode 888072334496) is a 2CD Reissue and Remaster that plays out as follows:

Disc 1 - Special Edition Remastered Album (43:17 minutes):
1. Too Many People [Side 1]
2. 3 Legs
3. Ram On
4. Dear Boy
5. Uncle Albert/Admiral Halsey
6. Smile Away
7. Heart Of The Country [Side 2]
8. Monkberry Moon Delight
9. Eat At Home
10. Long Haired Lady
11. Ram On
12. The Back Seat Of My Car
Tracks 1 to 12 are his second solo album "Ram" (credited to Paul and Linda McCartney) - released 21 May 1971 in the UK on Apple PAS 10003 and 17 May 1971 in the USA on Capitol SMAS-3375.  Produced by Paul McCartney - it peaked at No. 1 in the UK and No. 2 on the US LP charts.

Disc 2 - Special Edition Bonus Audio (33:08 minutes):
1. Another Day
2. Oh Woman, Oh Why
Tracks 1 and 2 are his debut UK 7" single released February 1971 on Apple R 5889 - both Tracks were non-album
3. Little Woman Love
Track 3 is the non-album B-side to "Mary Had A Little Lamb" - his 4th solo UK 7" single on Apple R 5949 released 12 May 1972
4. A Love For You (Jon Kelly Mix)
5. Hey Diddle (Dixon Van Winkle Mix)
6. Great Cock And Seagull Race (Dixon Van Winkle Mix)
7. Rode All Night
8. Sunshine Sometime (Earliest Mix)
Tracks 1 to 3 were featured as Bonus Tracks on the September 1998 Remasters
Track 5 featured as part of a song "Bip Bop/Hey Diddle" on the 2001 Greatest Hits 2CD set "Wingspan"
Tracks 6 and 8 are Instrumentals - Track 7 is 8:33 minutes long
Tracks 4 to 8 are Previously Unreleased Versions

Both as a looker and tactile thing - "Ram: Special Edition" certainly looks the part - but once you get past the lyrics in the attached 24-page booklet and the nice photos from his own personal archives - there's nothing else - no liner notes - not even the release dates of the LP or the 7" single on the Bonus Audio CD. There are no liner notes of any kind - no history and no illumination. And apart from the three single sides on Disc 2 (which we've had before many times on Remasters) - the rest are dismissible instrumentals that test the word 'Bonus' to its limits. Sure the Jon Kelly Mix of "A Love For You" and the Dixon Van Winkle Mix of "Hey Diddle" could actually constitute songs and even feel lovely at times in a small time way – but mostly this stuff just feels like he's taking the proper Michael. The near nine-minute guitar jam that is “Rode All Night” is particularly useless.

The Remaster was done at Abbey Road by the team that handled The Beatles - GUY MASSEY, STEVE ROOKE and SIMON GIBSON - and it's excellent. I've had the 1998 version for years and those idea changes in "Uncle Albert/Admiral Halsey" feel more alive than ever before.

I've never understood why people rave about "Ram" as an album - as if it was some kind of folksy masterpiece – it isn't. "Too Many People" and "Uncle Albert/Admiral Halsey" have that songwriting magic for sure - but the rest of Side 1 feels like ditties trying to be songs. Also I'm hard-pressed in my later years to put up with his lyrical twaddle like "...a dog is here...a dog is there...my dog has three legs...". There's the shadow of The Beach Boys "Pet Sounds" in the Ukulele-led "Ram On" - the remaster making those chunky keyboard notes and plucked strings count. The swirl of the voices in "Dear Boy" come out of your speakers from all angles - while the unlikely but beautifully produced American single "Uncle Albert/Albert Halsey" and the out-and-out rocker "Smile Away" end Side 1 with rain, strings and Paul singing about smelly feet (we're so sorry). The cleverly constructed "Uncle Albert/Admiral Halsey" is the nearest he gets to the best parts of "Abbey Road" on Side 2 and was a deserved American No. 1.

"...I look high...I look low...looking for a home in the heart of the country..." he sings on the Side 2 opener "Heart Of The Country" - those acoustic guitar flourishes and accompanied vocals as he plays are extremely clear - sounding better than they ever have. I can't really get on with the ketchup and soup puree lyrics of "Monkberry Moon Delight" - even if Linda's vocals are better. "Eat At Home" is a sort of semi rocker about eating in bed while the domestic bliss continues with "Long Haired Lady" - a song that just seems to amble and go nowhere - even with its best-ever sound quality here. "Back Seat Of My Car" would become his second UK 7" single on Apple R 5914 in August 1971 - a really pretty melody with string arrangements that deserved better than its No. 39 placing on the British single charts. "Another Day" and "Oh Woman, Oh Why" make for a cool stand alone single too.

The remaster is superb - but that half-hearted packaging and equally dodgy set of extras - lose a star in my book. He would of course go onto the huge "Band On The Run" in 1973 and "Venus And Mars" in 1975...